Lucio Fulci - Wikipedia. Lucio Fulci. Born(1. June 1. 92. 7Rome, Italy. Died. 13 March 1. Rome, Italy. Occupation.
Film director, film producer, screenwriter, actor. Spouse(s)Maria Fulci (1. Children. 2 daughters, Camilla Fulci and Antonella Fulci. Lucio Fulci (Italian: . He is perhaps best known for his gore films, including Zombi 2 (1. The Beyond (1. 98. Fulci is known as the .
After studying medicine in college and being employed for a time as an art critic. In the early 1. 96. Fulci wrote or directed around 1. Italian comedies, many of them starring the famous Italian comedian team of Franco Franchi and Ciccio Ingrassia. Most of these early films did not enjoy wider distribution in English- speaking countries, and are generally not available in English. Fulci's first film distributed theatrically in the USA was Oh!
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Those Most Secret Agents! Only three of his other 1.
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Massacre Time (as The Brute and the Beast in 1. Una sull'altra (as One on Top of the Other in 1. Beatrice Cenci (as Conspiracy of Torture, in 1. In 1. 96. 9, he moved into directing gialli thrillers such as A Lizard in a Woman's Skin and Sette note in nero and spaghetti westerns such as Silver Saddle and Four of the Apocalypse, all of which were commercially successful and controversial in their depictions of violence and religion. Some of the special effects in A Lizard in a Woman's Skin involving mutilated dogs in a vivisection room were so realistic, Fulci was dragged into court and charged with animal cruelty, until he showed the artificial canine puppets (created by special effects maestro Carlo Rambaldi).
His first film to gain significant notoriety in his native country, Don't Torture a Duckling, combined scathing social commentary with the director's trademark graphic violence. Fulci had a Catholic upbringing and referred to himself as a Catholic. His features released from 1. Italian screenwriter Dardano Sacchetti) were described by some critics as being among the most violent and gory films ever made.
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City of the Living Dead (1. The Beyond (1. 98. The House by the Cemetery (1. The Black Cat (1. The New York Ripper (1. Manhattan Baby (1.
Lucio Fulci, Writer: Non si sevizia un paperino. Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life. A gifted craftsman with a.
Several of Fulci's movies released in America were edited by the film distributor to ensure an R rating, such as The Beyond, which was originally released on video in edited form as Seven Doors of Death). Others were released Unrated in order to avoid an X- rating (as with Zombi 2 and House by the Cemetery) which would have restricted the films' target audiences to adults. The unrated films often played worldwide in drive- ins and grindhouses where they developed a cult following. Many of Fulci's horror films tend to contain . Of the original 7. United Kingdom, three belonged to Fulci: Zombi 2 (1. The Beyond (1. 98.
House by the Cemetery (1. After viewing Fulci's The New York Ripper, not only did the British Board of Film Classification refuse the film a certificate, but every single print in the country was taken to an airport and returned to Italy by order of James Ferman; it was not until later that VIPCO allowed the release of the film, initially outsourcing production to a foreign source under police supervision before releasing a VHS in 2. DVD in 2. 00. 7. The film did poorly upon its release, and afterwards, Fulci had trouble jump- starting his working relationship with Sacchetti, who by this time had gone his own way.
Fulci became deathly ill from hepatitis in 1. Murder Rock in New York City, and had to be hospitalized in Italy for many months. Fulci spent most of 1. After 1. 98. 6, with his diabetes plaguing him and the departure of screenwriter Dardano Sacchetti from Fulci's circle of friends, Fulci's endeavors as a director suffered.
In 1. 98. 8, he had directed about two- thirds of Zombi 3 in the Philippines before having to return abruptly to Italy due to a second bout of hepatitis. The film was finished by an un- credited Bruno Mattei. Fulci later said that he hated the finished product and tried unsuccessfully to get his name removed from the credits. Mattei has said in interviews that the film was Fulci's, and that he (Mattei) just added a few extra scenes to pad out the running time. They were released later on DVD, however, outside of Italy. Fulci's intended comeback films Demonia and A Cat in the Brain were produced in 1. Both films struggled to see release and were considered critical disappointments.
His final project, the 1. The Door to Silence, also received poor reviews. The release of this film is seen by some as the critical lowest point of his career. His wife's suicide in 1. Maria Fulci had killed herself with a gas oven after learning she had inoperable cancer).
The violence portrayed in films such as The New York Ripper caused him to be branded a misogynist by some critics, although he always claimed that he loved women. It is believe that he hid the severity of his illness from his friends and associates, so that he would not be deemed unemployable. Between 1. 98. 7 to 1.
Fulci began lending his name to the credits of low- budget horror films, that he had not directed, simply to make the films more marketable to distributors outside of Italy. Although he supervised the gore effects in both The Curse and The Murder Secret, he was hardly involved with some of the other projects that which bore the .
Fulci tried unsuccessfully to have his name removed from the credits of one film in particular, Gianni Martucci's The Red Monks, since he swore he had no involvement with it's production. The following year, in reciprocation for the use of his name, Fulci was permitted to use gore footage culled from these films to make Cat in the Brain.
Some of Fulci's fans have retroactively argued that at his peak, Fulci's fame and popularity were on a par with that of Dario Argento, another famous Italian horror film director with whom Fulci had avoided working with as a result of Fulci publicly criticizing Argento from time to time. Fulci was most likely resentful of Argento since Dario had always received critical acclaim and recognition in Italy and abroad, whereas Fulci had been regarded there as something of a . Argento claimed he had heard about Fulci's miserable circumstances at the time and wanted to offer him a chance at a comeback. It is said that Argento was shocked at how thin and sickly Fulci appeared at their meeting. Fulci wrote a plot synopsis and a screenplay for Argento and thought that he was slated to direct the film as well. Fulci, however, died before filming could begin due to a series of delays caused by Argento's involvement with his own project, The Stendhal Syndrome, at the time. Wax Mask was eventually directed by former special effects artist Sergio Stivaletti.
Reportedly the screenplay was entirely reworked by screenwriter Daniele Stroppa after Fulci's death, so the finished film contains significant differences to Fulci's original screenplay, though Stroppa had co- written two of Fulci's earlier films, The House of Clocks and Voices from Beyond. Lucio Fulci died alone, in his sleep, at his apartment in Rome on the afternoon of March 1. Toward the end of his life, Fulci had lost his house and was forced to move into a small apartment. Since Fulci had been so despondent in his later years, some believed that he had intentionally allowed himself to die by not taking his medications, but this is controversial. However, genre fans appreciated his films as being stylish exercises in extreme gore. At least one of his films, The Beyond, has . Fulci's earlier, lesser- known giallo Don't Torture a Duckling (1.
Fulci regarded two of his films, Don't Torture a Duckling and Beatrice Cenci, as his best work (the latter which he said his wife had liked the best of all his films), and considered both Zombi 2 and The Beyond as the two films that forever catapulted him to cult film stardom. Fulci made an appearance the January 1. Fangoria Horror Convention in New York City, just two months before his death. He told attendees that he had had no idea his films were so popular outside of his native Italy, as literally thousands of starstruck fans braved blizzard conditions all that weekend to meet him. Indeed, most of Fulci's most celebrated horror films were written by Sacchetti. After collaborating with Sacchetti for six years, Fulci went off on his own in 1.
Conquest in Mexico, failing to involve Sacchetti in the deal. The film was supposed to be a high budget production, and Sacchetti allegedly resented the fact that Fulci had not thought to involve him in the project. The film actually wound up doing quite poorly upon its release, and afterwards, Fulci had trouble jump- starting his working relationship with Sacchetti, who by this time had gone his own way. In 1. 98. 7, Fulci accused Sacchetti of stealing a story idea of his, a project which they were planning to do together in 1. Fulci returned from Mexico.
He claimed that Sacchetti later allowed director Lamberto Bava to direct the project (under the title Per Sempre / Until Death) in 1. Fulci's knowledge that the film was even being made. Palmerini and Gaetano Mistretta's book Spaghetti Nightmares, publishes two full interviews, one with Fulci and one with Sacchetti, explaining the reasons for the fallout. Fulci's version is as follows: . Then, one day, he registered the screenplay with his name on it! I just broke off all relations with him. He is indeed a very good scriptwriter though.
At that time, Fulci assumed that he would direct it. Later, for various reasons, problems arose and the film was never made. Four years later, Bava used my script to make Per Sempre and Fulci, who was not working much at the time, got angry with me and started hurling these accusations. It's one thing for him to say that we were originally supposed to make the film together, but to claim that he originated the story and that I stole it from him is pure science fiction.
Those Most Secret Agents (USA); (Fulci's first film to be dubbed & theatrically distributed in the USA)1. Come inguaiammo l'esercito.
Lucio Fulci - IMDb. Lucio Fulci, born in Rome in 1. A gifted craftsman with a sharp tongue and a wicked sense of dark humor, Fulci achieved some measure of notoriety for his gore epics of the late 1. Abandoning his early career as a med student, Fulci entered ..